#  SILVIA COSTA - JACOPO GIACOMONI

##  Tacet

#  SILVIA COSTA - JACOPO GIACOMONI

##  Tacet

### Festival

- [Upcoming events](http://operaestate.it/en/festival-eng/agenda)
- [Dance](http://operaestate.it/en/festival-eng/dance)
- [theater](http://operaestate.it/en/festival-eng/theater)
- [Music](http://operaestate.it/en/festival-eng/music)
- [Opera](http://operaestate.it/en/festival-eng/opera)
- [BMotion 2026](http://operaestate.it/en/festival-eng/bmotion-eng)
- [Attività collaterali](http://operaestate.it/en/festival-eng/attivita-collaterali)
- [Minifest](http://operaestate.it/en/festival-eng/minifest)
- [Cinema](http://operaestate.it/en/festival-eng/cinema)

 [Acquista Biglietto](https://www.vivaticket.com/it/ticket/tacet/307992)

 23 August 2026 | 9 p.m.

 Chiesa di San Giovanni,
 Bassano del Grappa

 Price single ticket € 8 / 10-show pass B.Motion € 50, reservation recommended

Accessibility ![](http://operaestate.it/images/icon/accessiblita.png)

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dramaturgy *Jacopo Giacomoni*
direction *Silvia Costa*
with *Silvia Costa, Jacopo Giacomoni, Gaia Ginevra Giorgi, Dylan Guzowski, Elena Rivoltini, Matto Zoppi*
music *Nicola Ratti*
light design *Andrea Sanson* in collaboration with *Isadora Giuntini*
scene sculptures *Plastikart Zimmermann & Amoroso*
costumes *Fabio Quaranta*
direction assistant *Luna Scolari* stagecraft *Alovisi Attrezzeria*
scene photo *Luca Del Pia*
press office *Antonella Mucciaccio*

production *La Biennale di Venezia, Cranpi, Piccolo Teatro di Milano – Teatro d’Europa*
with the contribution of *MIC – Ministero della Cultura*
supported by *Istituto Italiano di Cultura, Santiago*
with the support of  *Teatro Biblioteca Quarticciolo*
residency *Office for a Human Theatre*
in partnership with *Riccione Teatro, Departamento de Artes Escénicas de la Universidad de Playa Ancha de Valparaíso, Chile*

Winning entry for the **58° Premio Riccione per il Teatro 2025**
Winning text **Biennale College Teatro – Drammaturgia Under 40 (2024-2025)**

Tacet starts from a 1918 sound recording of the Moselle front armistice, where six lines on paper record three seconds of war and three of peace. Those lines become six performers traversing representations of silence. Tacet is a chorus of silences centered around a shared secular ritual: the minute of silence. Structured as a score in four movements, the work creates a cartography of time, leading to a collective gesture with the audience to question what it means to be together.