#  SILVIA COSTA - JACOPO GIACOMONI

##  Tacet

#  SILVIA COSTA - JACOPO GIACOMONI

##  Tacet

### Festival

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- [Cinema](https://operaestate.it/en/festival-eng/cinema)

 23 August 2026 | 9 p.m.

 Chiesa di San Giovanni,
 Bassano del Grappa

 Price single ticket € 8 / 10 - show pass B.Motion € 50

Accessibility ![](https://operaestate.it/images/icon/accessiblita.png)

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dramaturgy *Jacopo Giacomoni*
direction *Silvia Costa*
with *Silvia Costa, Jacopo Giacomoni, Gaia Ginevra Giorgi, Dylan Guzowski, Elena Rivoltini, Matto Zoppi*
music *Nicola Ratti*
light design *Andrea Sanson in collaborazione con Isadora Giuntini*
scene sculptures *Plastikart Zimmermann &amp; Amoroso*
custom *Fabio Quaranta*
direction assistant *Luna Scolari* stagecraft *Alovisi Attrezzeria*
pictures *Luca Del Pia*
press office *Antonella Mucciaccio*
production *La Biennale di Venezia, Cranpi, Piccolo Teatro di Milano – Teatro d’Europa*
with the contribution of *MIC – Ministero della Cultura*
supported by *Istituto Italiano di Cultura, Santiago*
with the support of  *Teatro Biblioteca Quarticciolo*
residency *Office for a Human Theatre / teatro alla cartiera*
in partnership with *Riccione Teatro, Departamento de Artes Escénicas de la Universidad de Playa Ancha de Valparaíso, Chile*
*Testo vincitore del 58° Premio Riccione per il Teatro 2025*
*Testo vincitore Biennale College Teatro – Drammaturgia Under 40 (2024-2025)*

*Tacet* takes its starting point from the first mechanical representation of silence: a sound recording of artillery activity on the Moselle front on November 11, 1918. Six lines traced on paper record three seconds of war and three seconds of peace, separated by the armistice ceasefire, marking silence as both a threshold and a measure of time.

Those six lines become the six performers of the show: six trajectories that traverse representations of silence, intertwining or proceeding in parallel according to a precise theatrical synchronicity. *Tacet* is a chorus of silences centered around one of the few remaining shared secular rituals—the minute of silence—viewed as a fragile collective practice.

Structured as a theatrical score in four movements, the performance plays with the metronome and the measurement of duration. What emerges is a cartography of time and an observatory of silence, leading toward a collective gesture to be performed alongside the audience, questioning what it truly means to be together in silence, within a minute, and within a theater.
