#  FRANCESCA FOSCARINI

##  Dove cresce ciò che salva

#  FRANCESCA FOSCARINI

##  Dove cresce ciò che salva

### Festival

- [Upcoming events](https://operaestate.it/en/festival-eng/agenda)
- [Dance](https://operaestate.it/en/festival-eng/dance)
- [theater](https://operaestate.it/en/festival-eng/theater)
- [Music](https://operaestate.it/en/festival-eng/music)
- [Opera](https://operaestate.it/en/festival-eng/opera)
- [BMotion 2026](https://operaestate.it/en/festival-eng/bmotion-eng)
- [Attività collaterali](https://operaestate.it/en/festival-eng/attivita-collaterali)
- [Minifest](https://operaestate.it/en/festival-eng/minifest)
- [Cinema](https://operaestate.it/en/festival-eng/cinema)

 [Acquista Biglietto](https://www.vivaticket.com/it/ticket/dove-cresce-cio-che-salva/307785)

 25 August 2026 | 9 p.m.

 CSC San Bonaventura,
 Bassano del Grappa

 Price single ticket € 8 / 10 - show pass B.Motion € 50

Accessibility ![](https://operaestate.it/images/icon/accessiblita.png)

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idea and performance *Francesca Foscarini*
sound *F. De Isabella*
light design *Elena Vastano*
outside eyes *Chiara Bortoli, Sorelle di damiano, Cosimo Lopalco*
costum *Lucia Gallone*
scene elements *Francesca Foscarini, Giancarlo Scrimieri / Intrecciarte*
creative promoter *Silvia Ferrari*
production *Associazione Culturale Zebra*
supported by *Associazione Culturale VAN, Fuorimargine - Centro di produzione della danza in Sardegna, IntercettAzioni – Centro di Residenza Artistica della Lombardia/Circuito CLAPS*
in partnership withg *Lamia Santolina Casa Giardino e Residenza d’Arte MiC – Ministero Italiano della Cultura*
residency *Residenza artistica Centrale Fies, Passo Nord Dance Identity: Choreographic Centre Burgenland, TWAIN/ PERIFERIE ARTISTICHE – Centro di Residenza del Lazio, KOMM TANZ/Passo Nord\_ progetto residenze Compagnia Abbondanza/Bertoni*

“In life, it is our salvation; not only our life, but the life of the living,” says Ginevra Bompiani, paraphrasing a line by Hölderlin. These thoughts and words become the title, guide, and warning for Francesca Foscarini’s latest artistic research. It is a research that, out of necessity and desire, unfolds entirely in the open and in the light—precisely there, *where that which saves grows*. There, where stones—the bones of the earth, the skeleton of the world, our own skeleton—become the archive of the forces that compose and decompose life.

It is upon this enigmatic presence (absence) that the mapping of the artist's journey is traced, in a difficult, never reassuring attempt to recover a lost biological memory: there where, perhaps, having abandoned the defense of rationality and let go of time, it is possible to draw closer once again to the inconceivable universe and to ourselves, as living beings, dreaming.
