#  GIORGIA LOLLI

##  Eat me - studio

#  GIORGIA LOLLI

##  Eat me - studio

### Festival

- [Upcoming events](https://operaestate.it/en/festival-eng/agenda)
- [Dance](https://operaestate.it/en/festival-eng/dance)
- [theater](https://operaestate.it/en/festival-eng/theater)
- [Music](https://operaestate.it/en/festival-eng/music)
- [Opera](https://operaestate.it/en/festival-eng/opera)
- [BMotion 2026](https://operaestate.it/en/festival-eng/bmotion-eng)
- [Attività collaterali](https://operaestate.it/en/festival-eng/attivita-collaterali)
- [Minifest](https://operaestate.it/en/festival-eng/minifest)
- [Cinema](https://operaestate.it/en/festival-eng/cinema)

 29 August 2024 | 17.00

 CSC San Bonaventura,
 Bassano del Grappa

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Eat me stems from reflections on the portrayal of female bodies in visual arts, the consumption of images in mainstream media and the sexualization of women.

*Concept and choreography: Giorgia Lolli*
*With: Sophie Claire Annen and Giorgia Lolli*
*Sound design: Sebastian Kurtén*
*Developed in the context of Nuovo Forno del Pane Outdoor Edition, residence project curated by MAMbo - Museo di Arte Moderna di Bologna.*
*Project winner of the call DNA Coregrafici 2023, promoted by Romaeuropa Festival, Triennale Milano Teatro, Gender Bender International Festival, Operaestate Festival Veneto, L'arboreto - Teatro Dimora, Centro Nazionale di Produzione della Danza Virgilio Sieni*
*Project winner of the Boarding Pass Plus Dance 2023 residency in Dom Utopii (Krakow), awarded by Santarcangelo Festival*
*Partner: Padova Festival Internazionale La Sfera Danza*
*Production: Anghiari Dance Hub, Nexus Factory*

Eat me stems from reflections on the portrayal of female bodies in visual arts, the consumption of images in mainstream media and the sexualization of women. Starting from a fascination for the Italian expression mangiare con gli occhi (literally: "eating with the eyes", to desire, to crave), the project questions the way the body is observed, investigating the dynamics and politics of the gaze through the relationship between spectator and performer.
​The choreographic score is built starting from an everyday aesthetic, which uses the cleanliness of the gesture - doubled - and its composition, to trace a millimetric lack of randomness. The tensions, generated by the forced point of view and by the horizontal perspective, find an erotic outcome: soft shapes and weights on the floor, the curves of the two dancers stand out like dunes in a flow of postures. Images that are blatantly frontal but hidden, force us into a forced partial perspective.

**Giorgia Lolli** (1996) is an Italian dance artist, currently based in Finland for her MA studies in Choreography at Helsinki Uniarts. Her practice intertwines dramaturgical-choreographic research and community processes. She is currently researching the ties between feminisms and choreographic composition, moved by the politics of gaze in performance framings and the sexualized experiences of her female body.
