#  ERIC ARNAL-BURTSCHY

##  Deep are the Woods

#  ERIC ARNAL-BURTSCHY

##  Deep are the Woods

### Festival

- [Upcoming events](https://operaestate.it/en/festival-eng/agenda)
- [Dance](https://operaestate.it/en/festival-eng/dance)
- [theater](https://operaestate.it/en/festival-eng/theater)
- [Music](https://operaestate.it/en/festival-eng/music)
- [Opera](https://operaestate.it/en/festival-eng/opera)
- [BMotion 2026](https://operaestate.it/en/festival-eng/bmotion-eng)
- [Attività collaterali](https://operaestate.it/en/festival-eng/attivita-collaterali)
- [Minifest](https://operaestate.it/en/festival-eng/minifest)
- [Cinema](https://operaestate.it/en/festival-eng/cinema)

 26 August 2026 | 5 p.m., 10 p.m.

 Teatro Remondini,
 Bassano del Grappa

Accessibility ![](https://operaestate.it/images/icon/accessiblita.png)

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concept, creation *Eric Arnal-Burtschy*
technical director *Benoît Simon*
machine *Guillaume Troublé*
programming *Benoît Simon &amp; Olivier Meunier*
production manager *Sylvia Courty*
touring manager *Sylvia Courty, Stephanie Pysson*
diffusion and development *Ad Lib, Support d’artistes*
artistic support *L'L, Experimental structure for research in the living arts*
production *BC Pertendo*
co - production *ARCADI, L'L, Les Halles de Schaerbeek, Théâtre de Vanves, actOral, L'L fondation*
supported by *NEMO – Biennale des arts numériques, FRAC Provence Alpes Côte d’Azur, Le 104, Montévidéo – Créations contemporaines, Le Merlan, scène nationale, CDC L’Atelier de Paris – Carolyn Carlson, Le château éphémère, Centre Culturel Wolubilis*

*National Premiere*

*Deep are the Woods* offers a connection with nature and the universe through the physical experience of light. The movement of its rays shapes the void and inhabits it with an impalpable presence: a cathedral without walls, made of inner vibrations, inviting us to broaden our perception of the world through the immaterial. It is an immersive performance in which light is the protagonist. Rendered visible by a thin mist, it breathes, vibrates, and occupies the space. The spectator, placed at the center of the performance, moves freely within an environment that envelops and caresses them, generating a projection space that is at once physical and mental. Intangible and yet concrete, light exists in its interaction with the mist, taking on a body: the fastest, most infinite, and immortal one we know. Choreographing light means writing space and setting an immense body in motion, subjected to the same questions as any body on stage: what movement, with what intention, for what composition.

![WBTD.jpeg](https://operaestate.it/images/WBTD.jpg)![Logo de Wallonie-Bruxelles International](https://www.wbi.be/sites/default/files/2024-08/image_logo_site_wbi.png)
