concept Alessandro Bernardeschi
choreography, writing and interpretation Carlotta Sagna, Alessandro Bernardeschi, Mauro Paccagnella
musical dramaturgy Alessandro Bernardeschi
lighting and direction Simon Stenmans
assistant choreographer Lisa Gunstone
video Stéphane Broc
sound Eric Ronsse
costumes Wooshing Machine and Fabienne Damiean
with Pietro Ercolino

With the Trilogia della Memoria Paccagnella and Bernardeschi, then in their fifties, faced the test of time by revisiting 20 years of artistic, cultural and historical association. Now in their sixties, they create this new show that takes its title from the 1913 film of the same name starring silent film diva Lyda Borrelli, a masterful dancer and actress with intense movements, charged with emotion, intensity and languor.
Ma l'amor mio non muore/Épilogue, a natural sequel to the Trilogia, is an ironic show that tells of the body growing old while the soul retains the verve to launch itself into unbridled acts. It interweaves intimate memories and collective memory in the imprint left by life on the three dancer-choreographers: Carlotta Sagna, Mauro Paccagnella and Alessandro Bernardeschi, Italian artists who emigrated to France and Belgium. A work where gravity and gaiety, nonchalance and disarticulation, self-irony, joy and gravity coexist. Because it is true that love does not die, but time passes and bodies carry its weight.