National Premiere

choreography Olga Dukhovnaya
loosely based on ballet with music by Pyotr Tchaikovsky
interpretation Olga Dukhovnaya, Alexis Hedouin
sound Anton Svetlichny
lights and costumes Guillaume Jouin, Marion Regier
support François Maurisse
C.A.M.P production
co-production le Quartz – Scène Nationale de Brest; Au bout du plongeoir & the Coopération Nantes-Rennes- Brest-Rouen – Itinéraires d'artiste(s).
with the support of Rencontres chorégraphiques internationales de Seine-Saint-Denis and DRAC Bretagne.
Aerowaves 2023 selection

With the support of Fondazione Nuovi Mecenati - Franco-Italian foundation that support contemporary creation

 

In Swan Lake Solo, there are neither white birds nor princes. In collaboration with composer Anton Svetlichny, Olga Dukhovnaya turns this classical ballet into a modern performance. Undertaking an ecological deconstruction, the Ukrainian choreographer then concentrated the entire corps de ballet in that of a single performer: herself, giving Swan Lake Solo the tones of joyful and delightful freedom.

OE co-production
 a show by Menoventi
from a concept by Consuelo Battiston and Gianni Farina
with Consuelo Battiston and Francesco Pennacchia
Mondo Riviera sound project
directed by Gianni Farina
co-production Operaestate Festival Veneto, E Soc. Coop., Accademia Perduta/Romagna Teatri, Ravenna Festival

Odradek is a contemporary fairy tale inspired by the "Die Antiquiertheit des Menschen" Gunther Anders's text and highlighted by the irony of Kafka and H.M.Enzensberger, a poet who died during the gestation of this work. At the protagonist's home, an hermit, every wish is fulfilled even before being conceived. Officiant of this ritual is the express courier, a handyman pawn in the  company in the delivery sector, the ubiquitous Odradek. From their meeting arises a forest of questions about the enchanted environment that surrounds them: where do the objects come from? And the news? Who is speaking on the other end of the phone?

Music Caterina Palazzi
Video art Kanaka

Aneurysm is the new audiovisual work born from the collaboration between the visual designer Kanaka (Andrea Maioli) and the double bass player Caterina Palazzi. The performance is conceived as a surreal journey of the blood in the brain’s ducts, alternating moments of regular flow with moments of abnormal and violent pulsations, until the rupture of a vessel and the flooding of the skull. Music and images, although not strictly related to the medical theme, transport the viewer in an emotional blood flow.

Halina Rice is an electronic musician and AV artist creating emotive electronic music ranging from evocative soundscapes to beat-driven tracks. Her live shows, played to audiences around the UK and internationally, have been described as “part-rave, part art-happening”. For her last ep, NEW BASIS, Rice explains that the music and visuals are all about contrast and collision. “There are long harmonic progressions with the feel of a classical composition but created in an electronic style. The process of creating the tracks encompasses multi-layered percussion, often derived from foley recordings, but paired with detuned synths and sampling.”