national première
concept and creation by
Chiara Frigo
Silvia Gribaudi
Marigia Maggipinto
production Zebra
in collaboration with Operaestate Festival Veneto
3 Passi (3 Steps) is a choreographic game created by the artists Marigia Maggipinto, Chiara Frigo and Silvia Gribaudi, that first met online during the lockdown. The project involved nearly 100 people, that participated to this exercises for imagination articulated into physical practices, questions, snapshots of lives. The performance presented during B.Motion is the third and last step of this journey started online, that finally is transformed into a live meeting.
--> Performance streamed online during "B.Motion On Zoom" on August 21st and 23rd at 4pm. Followed by live Q&A on the 21st.
Register here and don't miss fresh performances brought to you from Bassano del Grappa.
national première
concept and creation by
Chiara Frigo
Silvia Gribaudi
Marigia Maggipinto
production Zebra
in collaboration with Operaestate Festival Veneto
3 Passi (3 Steps) is a choreographic game created by the artists Marigia Maggipinto, Chiara Frigo and Silvia Gribaudi, that first met online during the lockdown. The project involved nearly 100 people, that participated to this exercises for imagination articulated into physical practices, questions, snapshots of lives. The performance presented during B.Motion is the third and last step of this journey started online, that finally is transformed into a live meeting.
--> Performance streamed online during "B.Motion On Zoom" on August 21st and 23rd at 4pm. Followed by live Q&A on the 21st.
Register here and don't miss fresh performances brought to you from Bassano del Grappa.
national première
concept and creation by
Chiara Frigo
Silvia Gribaudi
Marigia Maggipinto
production Zebra
in collaboration with Operaestate Festival Veneto
3 Passi (3 Steps) is a choreographic game created by the artists Marigia Maggipinto, Chiara Frigo and Silvia Gribaudi, that first met online during the lockdown. The project involved nearly 100 people, that participated to this exercises for imagination articulated into physical practices, questions, snapshots of lives. The performance presented during B.Motion is the third and last step of this journey started online, that finally is transformed into a live meeting.
--> Performance streamed online during "B.Motion On Zoom" on August 21st and 23rd at 4pm. Followed by live Q&A on the 21st.
Register here and don't miss fresh performances brought to you from Bassano del Grappa.
national première
concept and creation by
Chiara Frigo
Silvia Gribaudi
Marigia Maggipinto
production Zebra
in collaboration with Operaestate Festival Veneto
3 Passi (3 Steps) is a choreographic game created by the artists Marigia Maggipinto, Chiara Frigo and Silvia Gribaudi, that first met online during the lockdown. The project involved nearly 100 people, that participated to this exercises for imagination articulated into physical practices, questions, snapshots of lives. The performance presented during B.Motion is the third and last step of this journey started online, that finally is transformed into a live meeting.
--> Performance streamed online during "B.Motion On Zoom" on August 21st and 23rd at 4pm. Followed by live Q&A on the 21st.
Register here and don't miss fresh performances brought to you from Bassano del Grappa.
creazione e performer Džiugas Kunsmanas, Adrian Carlo Bibiano
Prima nazionale
In un tempo in cui il ritmo della vita cambia, in cui siamo stati costretti a trovare alternative di comunicazione ed evitare il contatto fisico, e mentre stiamo tornando a comunicare come eravamo abituati, gli artisti Džiugas Kunsmanas e Adrian Carlo Bibiano usano la danza e l'acrobazia per cercare una connessione reciproca senza toccarsi o parlare.
Il contatto, nel senso di toccare, non esiste realmente in fisica, quando siamo in piedi sul pavimento, non lo tocchiamo realmente. Gli elettroni presenti sul pavimento respingono gli elettroni dei nostri piedi, creando un campo elettromagnetico tra di essi, quindi a livello atomico non possono mai toccarsi veramente. Džiugas Kunsmanas e Adrianas Carlo Bibiano, rinomati artisti lituani del circo e della danza, senza usare parole, uniranno il pubblico attraverso il solo movimento, in un flusso comune di movimenti semplici.
*ATTENZIONE CAMBIO LUOGO: LO SPETTACOLO SARA' AL GIARDINO PAROLINI*
ideazione, coreografia e performance Agniete Lisickinaite
mentore Bush Hartson
costumi Morta Nakaite
video Odeta Ryskute
luci Povilas Laurinaitis
produzione Domante Tirylyte / BE COMPANY
con il supporto di Lithuanian Council for Culture
in collaborazione con Lithuanian Cultural Attaché to Sweden, Finland and Denmark, Lithuanian Culture Institute
Hands Up, cioè “mani in alto”, prende ispirazione da una posizione che viene utilizzata in diversi contesti culturali, sociali e religiosi. Al centro di questa azione coreografica è il contesto della protesta: una pratica che in Lituania, Paese d’origine della coreografa, è associata all’epoca - ormai romanticizzata - del movimento delle riforme, ma che, nel contesto dei recenti eventi, vale la pena di indagare come base di libertà in una società democratica. Questa performance di danza, ispirata dalla pratica delle proteste, esamina la fragile distanza tra arresa e devozione a una causa, ma anche di riconciliazione e resistenza, attraverso domande come: quale tipo di protesta inizieremo? Sarà un simbolo di
libertà o un’aggressione? Con gli spettatori invitati a partecipare all’azione che indaga, tra coinvolgimento e osservazione, proprio queste
riflessioni.
The European Commission support for this project does not constitute an endorsement of the contents which reflects the views only of the authors, and the Commission cannot be held responsible for any use which may be made of the information contained therein.
*NEW VENUE: GIARDINO PAROLINI*
HANDS UP is a physical body position reflected in many different cultural, social and religious contexts. Here, the topic is a protest culture: in the context of recent world events, it is worth questioning the notion of protest culture as a virtue in itself. This performance examines the fragile distance between surrender and devotion, reconciliation and resistance. Raising such questions as: what kind of Protest Baby will we raise? Will it be a symbol of freedom or aggression?
The European Commission support for this project does not constitute an endorsement of the contents which reflects the views only of the authors, and the Commission cannot be held responsible for any use which may be made of the information contained therein.
